We know what you’re thinking: Carol Burnett returns for a victory lap as the ramshackle, shambolic final season of “Magnum, p.i.” draws to a close. Also, the opening credits ruin a “Max Headroom” ...

Two first-timers, a second-timer, a third-timer, and an old pro walk into a game show. It’s not a joke, it’s the 35th edition of Random Pursuit! And we put a new-to-Erika edition of Trivial Pursuit, ...

In a rare timely episode, John and Jason discuss a report from Bloomberg’s Mark Gurman that Apple is designing a series of robots, including a “robot” that sits on a table and moves its display around ...

We’ve reconvened Mad Max Club to come up with some word burgers about “Furiosa: A Mad Max Saga,” the 2024 prequel to the iconic 2015 film “Mad Max: Fury Road.” Does the prequel match up to the ...

Erika and Steven dispense with the saxophones and somehow end up talking about “The Space Pirates.” Again. Listen to this episode (19 minutes) ...

Whoa. Years later, we’re back in the Matrix as we cover the sequels to the mind-blowing 1999 original. First up is “The Matrix Reloaded,” which features thrills, spills, underground orgies, and long ...

As the party battles a whole family of hook horrors, Eglath’s Angels suddenly become competent, efficient, and effective. Scott wonders if he’s in the wrong Zoom.

It’s the first in another multi-part set of episodes, kicking off with K&R Part 1. Lex and Brian usually don’t think too highly of these, but turns out this one was pretty good? There’s a lot ...

Steven Schapansky, podcaster producer and podcaster, joins Scott to discuss “Data’s Day” (TNG S4E11). Topics include the power move of having your wedding near the Neutral Zone, Service Merchandise ...

Because twenty would be too few and twenty-two would be ridiculous. Shaenon K. Garrity discusses William Pène du Bois’s The Twenty-One Balloons (1947).

In a rare timely episode, John and Jason discuss a report from Bloomberg’s Mark Gurman that Apple is designing a series of robots, including a “robot” that sits on a table and moves its display around ...

Because twenty would be too few and twenty-two would be ridiculous. Shaenon K. Garrity discusses William Pène du Bois’s The Twenty-One Balloons (1947).