Director Gerard Johnstone takes a Terminator 2 approach with this funny, scaled-up sequel to his popular 2022 horror, which sees M3GAN tasked with defeating a world-threatening AI fembot.

The programme includes seasons dedicated to Sophia Loren, Peter Sellers, and the continuation of our Moviedrome celebration.

Ahead of his centenary on 1 July, we remember Farley Granger’s achingly tragic performance in his first starring role: as one of the fugitive lovers in Nicholas Ray’s directorial debut, They Live by ...

Director Hind Meddeb’s timely and arresting new documentary chronicles the the lives of Sudanese citizens in Khartoum during 2019’s uprising after the fall of president Omar al Bashir.

German film director Andreas Dresen creates a human-sized story rather than a heroic one with his portrayal of anti-Nazi dissents Hilde and Hans Coppi, set during Hilde’s trial for treason in wartime ...

From Jaws to Jeanne Dielman, Dog Day Afternoon to Salò, 1975 was a landmark year for cinema. Here, Adam Nayman inspects 1975’s many treasures – big blockbusters, revered classics and hidden gems alike ...

The BFI, BAFTA albert, and ScreenSkills have launched the UK’s first National Occupational Standards and skills checklists for sustainability roles in film and TV production – marking a major step ...

Top Gun, Beverly Hills Cop, The Rock and many more. Now, as his new racing drama F1 The Movie pulls away from the starting line, we sit down with famed producer Jerry Bruckheimer to hear tales from ...

Plunge into July’s BFI Player line-up, which once again gathers the greatest in world cinema, white-hot and riveting.

In their assured debut about the aftermath of sexual violence, online comedian-turned-director Eva Victor balances defiantly dark humour with real melancholy.

Organisations can apply for support to enrich their collections, better represent the UK ’s diverse communities, make screen heritage available to the public and ensure that they have the workforce ...

Pixar’s new intergalactic CG cartoon feels turgidly familiar at times, but is saved by strong third-act payoffs and a redemption that’s moving rather than mawkish.