New York Classical Review8m
Kaminsky’s “Lucidity” premiere offers worthy music and baffling staging at On Site Opera
On Site Opera gave the world premiere of Laura Kaminsky’s Lucidity on Thursday evening at the Abrons Arts Center in Manhattan’s Lower East Side. It’s a hot ticket with all three remaining New York ...
New York Classical Review1d
A first-rate cast brings the romance and heartache to Met’s “Bohème”
Dmytro Popov as Rodolfo and Ailyn Pérez as Mimì in Puccini’s La Bohème at the Metropolitan Opera. Photo: Marty Sohl / Met ...
New York Classical Review1d
Uchida and Marlboro Festival players offer a transcendent evening of chamber music
The music was from both present and past, with concise selections from György Kurtág preceding Beethoven’s E-flat Major Piano ...
New York Classical Review4d
Pianist Fujita proves an introspective yet compelling presence in Carnegie recital
What followed intermission was in effect a new program, of Classical mien, featuring sets of variations. This genre can seem ...
New York Classical Review2d
A new cast still finding its footing in Met’s “Tosca”
With Tilman Michael, the Met’s new chorus master, this fine ensemble seems to be in very capable hands. Overenthusiasm aside, Nézet-Séguin knows his way around this score. Balance was never an issue, ...
New York Classical Review4d
The Gesualdo Six offer a moving musical experience with “Secret Byrd”
The Gesualdo Six performed a program titled “Secret Byrd” Saturday night at the Cathedral Church of St. John the Divine. The ...
New York Classical Review7d
Persson, Wolfe premiere provide the highlights with Rouvali, Philharmonic
Miah Persson performed Richard Strauss’s Four Last Songs with conductor Santtu-Matias Rouvali and the New York Philharmonic Thursday night at David Geffen Hall. Photo: Chris Lee Color and detail are ...