Light shading and faintly sketched lines on cream colored paper depict a woman in profile. She appears to be dancing, arching her back and casting a look above and behind her as she steps forward. Her ...
In a lavish room with ornate tapestries, a young woman with fair skin and long light brown hair lies against cushions on the floor, with only a silk sheet wrapped around her legs. A hookah and a fan ...
At left, a young fair skinned woman with long wavy brown hair stands facing us, wearing only an ornate crown and jewels, a richly embroidered open robe around her shoulders. With a leopard at her feet ...
This round, shallow bowl is covered with a light tan glaze. The glaze has patches that are slightly lighter and darker shades of tan, and its texture is crazed (crackled). In the center of the bowl is ...
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A tall vase with a mix of painted and carved decorations. The lowest third is a strip of panels showing white carved scenes. The central scene shows Native Americans shaking hands with Europeans.
A round green helmet which is simple and without decoration. It is seen from the side, so the shape is in profile. It is mostly an even round shape, which flares out at the bottom. There is a cutout ...
A round vessel with a wide flat spout with a small opening. It is beige, and in black and red there is a central figure with long hair under a headband, who wears long geometric patterned clothing.
A light-skinned, gray haired man faces the viewer, visible from the chest up. He has long gray hair that is tied back with a black ribbon. His eyes are blue, and his complexion is pink, especially ...
The painting of a man wearing a tuxedo standing in front of a light gray wall. The left arm is bent at waist level, the hand holds a small white object between the fingers. The right arm is bent in a ...
In this work, Savery’s imaginary panoramic landscape becomes a backdrop to a biblical drama dominating the scene. Firmly gripping their swords and trampling over a mass of fallen soldiers, two ...
Monet painted this composition at the end of a decade marked by the impressionists’ sustained experimentation with still-life painting. His depiction of this pair of common fish is indebted to the ...